The invention of mug shots

When photography was invented in the first half of the 19th century, it seemed to be the solution to problems with criminal identification that police around the world had been waiting for. 

Daguerreotype of prisoner
Daguerreotype of prisoner, Brussels. Ca. 1843.

Finally, they did not have to rely on their memories and written descriptions of prisoners to recognise criminals.

As early as 1841 the French began making daguerreotypes of prisoners, but the earliest mug shot still in existence was taken by Belgian officials in 1843. Within the same decade, British Police also employed their first professional photographer. At first, photographs of criminals were mainly used as a tool to help familiarise regional police with vagrants who would move from place to place committing crimes. Soon, however, many prisons began systematically photographing incarcerated prisoners in order to supplement their written descriptions and help defeat the use of aliases. In 1854 Swiss authorities began circulating photographs of criminals to the public for the first time, pre-empting the 'Wanted' posters that were made famous in the American Wild West during the 1860s.

In 1858 the New York Police Department opened its first ‘rogues gallery’ to the public. Here, people were invited to look through galleries of mug shots in order to familiarise themselves with local criminals, and possibly help identify offenders. Rather than a practical aid to police, however, some scholars have criticised rogues galleries as merely a source of entertainment for Victorian voyeurs. Furthermore, they claim that mug shots at this time served to publicly humiliate and punish the offender more than as a practical means of recording information. Nonetheless, the trend caught on around the world, with galleries opening in Germany in 1864, Russia in 1867 and England in 1870. Soon, mug shots became a familiar type of image that was easily recognisable by almost everyone, and a standard aspect of police work.

Check out the Rogue’s Gallery of New Zealand Police Museum.

Rogues Gallery. NY Police Dept

Rogue’s Gallery, New York Police Department. These collections of mug shots were open to the public in the late 19th century.

 

Criminal Identification before mug shots

Today, there are many techniques which police use to identify criminals. 

Fingerprinting, photographs, and DNA are just some of the tools police can use to confirm the identity of someone they have arrested or to determine who is responsible for a crime. However, before these modern techniques were discovered, law enforcers had to rely on simpler methods of criminal identification, from basic face memorisation to brutal methods of permanently marking offenders.

Photo of Branding Joseph Relph in the Old Bailey

Branding Joseph Relph in the Old Bailey, from “Criminal London: A Pictorial History from Medieval Times to 1939”, Mark Herber. Photo source

Branding

Branding the skin of criminals with a hot iron was an identification tactic which painfully marked individuals for life. Branding combined physical punishment, public humiliation and identification, and was used as early as 10,000 BC in Japan, by Ancient Greeks and Romans, throughout the Middle Ages, and even into the early modern period.

In Medieval England, for example, the Statute of Vagabonds issued in 1547 ordered that vagabonds, Gypsies, runaway slaves and brawlers to be branded on the chest, cheek or forehead. In London's central criminal court (known as the Old Bailey) 17th and 18th century criminals who were found guilty of manslaughter or pleaded 'benefit of the clergy' were branded on the thumb so they would not be able to receive the benefit again. (The 'benefit of the clergy' was the right of churches to punish their own members, so the criminal court had to hand the criminal over to church officials. Until 1779, criminals who received this benefit were branded on the thumb so they wouldn't be spared court punishment more than once.) This branding took place right in the courtroom, in front of spectators. Between 1699-1707 criminals were even branded on the cheek in an attempt to further deter future offenders.

Criminal branding in the Old Bailey ended after 1779, but the punishment was sometimes still practiced in the colonies or under special circumstances. For example, even as late as the 1860s deserters during the American Civil War were branded as a way to both punish and identify them.

Tattooing

The earliest recorded instance of using tattoos to mark criminals for the purposes of identification and punishment occurred in Japan in 720 AD. From that time, tattooing criminals became a common method of criminal identification in Japan. It even became the official punishment from 1720, replacing the amputation of the nose and ears. Criminals could be tattooed with rings around the arm or a character tattoo on the forehead. In one region, a line was tattooed on the forehead of criminals for each crime they committed, until the character for 'dog' was spelled out. This practice continued regularly until 1870, when it was abolished by the Emperor under the new Meiji government. Like branding, tattooing made criminals unemployable and turned them into social outcasts. In Japan, these tattooed outlaws often formed criminal gangs in order to survive. These gangs formed the roots of yakuza, the modern organized crime syndicate who are known for their elaborate tattoos.

Photo of Eugene Francois Vidocq

Eugène-François Vidocq by Achille Deverie. Vidocq and his trained agents memorized the faces of thousands of Paris criminals in the early 19th century by visiting gaols and systematically watching prisoners as they walked in circles in the prison exercise yard.

Memorisation

Although methods of physically marking criminals existed, early law enforcers still relied most heavily on their powers of recognition for the identification of criminals. Before the 18th century this was a much easier task: communities were much smaller, and people rarely travelled beyond the places they were born. Police could often rely on simple visual recognition of the people in their community to identify an apprehended suspect.

During the Industrial Revolution, however, mass urbanisation occurred and massive cities quickly developed. With these new ‘societies of strangers’ simple recognition became a far less reliable process. In some areas, it became a standard police responsibility to memorise the faces of local criminals.

No law enforcement agent was more dedicated to this approach than Eugène-Francçois Vidocq, a French private detective in the early 19th century. Vidocq was a convicted criminal who became a successful secret agent for the Paris police, and later organized the first plainclothes unit of the Police in 1813. Often regarded as the first private detective and the father of modern criminology, Vidocq collected information on over 30,000 criminals and attempted to develop a system for the rapid identification and retrieval of criminal identities and information. The central component of his system relied on the systematic memorisation of thousands of criminal faces. To achieve this, Vidocq and his trained agents would make regular trips to prisons and carefully observe the prisoners as they walked in a circle in the exercise yard.

Written Descriptions

Police in large cities around the world also began keeping records of criminal names and descriptions of their appearances. For example, as early as 1797 Newgate Prison in New York began keeping comprehensive written descriptions of convicted criminals using a Convict Description docket to help standardise the descriptive terms used. In addition to their name, place of origin, date of birth, complexion, hair, stature and country, the register recorded distinctive features such as “high forehead”, “pockmarked”, or “red nose.” Systems like these, however, could easily be defeated by the use of an alias and was ineffective for criminals with commonly occurring names.

The Need for a Modern System of Criminal Identification

By the 1840s, barbaric practices of physically marking criminals had gone out of fashion. The modern approach to criminal punishment emphasised limiting a person's freedom rather than physically punishing their bodies. However as the population grew, criminal identification techniques like facial memorisation and written descriptions were becoming more and more inadequate, and the flaws in these outdated systems were increasingly criticised. This was partly to do with growing fears of recidivism - the repetition of criminal behaviour by an individual. With the development of criminal statistics in the first half of the century, criminologists realised that statistically most people who commit crime go on to re-offend. Furthermore, the majority of crime is committed by these habitual re-offenders. Because of this, prisons and other forms of criminal punishment were designed purposely to be harsh in order to deter future re-offenders, and laws were passed to punish recidivists more harshly than first time offenders. In the opinion of both law enforcers and the general public, an efficient modern system of criminal identification was needed to deal with this social problem.

Suspicious Looking: 19th century mug shots from the New Zealand Police Museum

Mug shots are photographic portraits of arrested suspects and convicted criminals. 

Since the mid-19th century, they have been used to help form a record of identification for police. However, they are far from being mundane bits of police paperwork. Rather, mug shots are intriguing images which have a powerful ability to captivate our imaginations. Perhaps this is because of the interesting questions they evoke: What crime did this person commit? Were they guilty? Do they look like a criminal? Do they look normal? What happened to them?

Using the New Zealand Police Museum’s collection of mug shots from 1886-1908, this exhibition will start to answer some of these questions, and explore the stories behind these compelling photographs. From the people in the images, to the history of mug shots, to the role of criminal identification in New Zealand Police, these mug shots can provide a window to many fascinating stories of the past.

Learning

The New Zealand Police Museum provides educational opportunities for all visitors, including free self-guided visits and activity sheets, or charged workshops and tours.

Montage of Museum activities

Families

Our New Zealand Police Museum Junior Detective Trail and Senior Detective Mysteries are packed full of fun activities that will keep children of all ages engaged and entertained. Activity sheets are free, fun and change every school holiday.

Enjoy our museum favourites and try out police uniforms and the Police motorbike; they make a great photo opportunities!

Schools & Groups

Group tours are available on request and can be adapted to suit individual needs and ages. Group booking charges:

  • adults $5
  • children $5
  • senior citizens $3
  • student on school trip $3

The New Zealand Police Museum covers a wide range of topics and issues including;

  • the Rainbow Warrior bombing,
  • 1981 Springbok Tour Protests,
  • Disaster Victim Identification team work,
  • The Canterbury Quakes,
  • The Role of Police,
  • The Armed Offenders Squad,
  • Road Policing,
  • The Dog Section,
  • Diversity within New Zealand Police,
  • 75 Years of Women in Police and
  • Policing Aotearoa New Zealand in the 19th Century.

Check out the Police Museum learning and experience programme (PDF, 1.3MB) to find out more about what is on offer. Advance bookings are required.

Bookings

T (04) 238 3141
Make an enquiry

Important Information

Museum displays reflect the nature of police work and some displays deal with issues of violence and death. All class visits are adjusted to be age appropriate. For this reason mixed aged groups are not recommended.

Pre-visit information (PDF, 361KB)
Risk Assessment Management (RAMS) (PDF, 223KB)
Social story (PDF, 12.4MB)